Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus represents a milestone in Holocaust reckoning and a breakthrough in the serious art of comics, but his full achievements are more extraordinary and eclectic. ART SPIEGELMAN: DISASTER IS MY MUSE traces his beginnings in the 1960s as co-creator of the Wacky Packages trading card series; his co-founding of the underground comics magazines Arcade (with Bill Griffith) and Raw (with his wife, Françoise Mouly); his response to 9/11, inspired by witnessing the attacks from his home in lower Manhattan; his controversial covers for The New Yorker (1993-2003), which prompted the New York police to picket the magazine’s offices; and his public response to a recent Tennessee school board ban on Maus. Spiegelman proves an eloquent guide in his provocative work, with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by Spiegelman’s unflinching confrontation with personal traumatic themes.
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